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Detailed pencil sketch of a reclining nude woman with legs on a chair.
Armstrong Art

Where experience and reality coalesce

Mike has developed distinct themes and a unique style for creating art from life. Best known for his nude portraits from life in oils or graphite, Mike's practice has extended to figurative sculpture in bronze and resin, capturing forms in 3D.

About Mike
Michael Armstrong Observers of Being 2020 Oil on Linen

"My art is living. It breathes in and breathes out"

Michael Armstrong (Mike) is one of Australia’s most benevolent, intuitive, technical and innovative artists. Deliberate and detailed in his distinct personal style, Mike is renowned for his nude female figures, metaphorical veteran portraits, alluring paintings and dynamic sketches.


Mike's work expresses individual qualities. Hinting at an enigma, he brings together personal elements that vacillate between beauty and realism. Using layering and tactile substances, Mike ignites the viewer's curiosity with suggestions of movement, embodiment and veiled meaning. With the ability to evoke emotion and create mesmerising and meaningful allegories, Mike has been a finalist in many prestigious art prizes, and his works are held in numerous public and private collections in Australia and overseas.

" I feel enormously privileged to engage in conversations, to hear about interests, share ideas, aspirations, and fears. To be entrusted with a story and to witness vulnerability.

The Military

"My 23 years of military service shaped me as an artist and as a human being, but it's not everything that I am"

The impact that our lives have on us is that our experiences change the way we perceive. It adjusts the lens, for better or for worse. And so here I am with this relationship with the nude body, which I love, that for 15 years, my focus was on how to destroy it. Literally, I was trained to know how to efficiently and effectively end a life. When I returned from Afghanistan and Iraq, I looked at these forms and thought, how can I have them just be the aesthetic things they were before? That was the challenge, back then. I wrestled with the notion of how I could get back to just them being beautiful things on a wall.

"I'm an artist who has obherent knowledge of how to kill"

"The knowledge of how to kill another human being is not knowledge that is easy to live with. There's a tension that occurs"

Voices of Veterans by Michael Armstrong

Voices of Veterans photograph art toured Australia in 2020
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DRAWING and PAINTING

Expectation (2019)

By Michael Armstrong

Graphite on Paper

Watercolour

Premium Hand-Finished Tasmanian Blackwood Frame

Art Glass (AR70)

Suspended Promise (2018)

By Michael Armstrong

Museum-Grade Giclée Print 

Unframed

Or

Premium Hand-Finished Tasmanian Blackwood Frame in Art Glass (AR70)

Edge of Uncertainty (2018)

By Michael Armstrong

Museum-Grade Giclée Print 

Unframed

Or

Premium Hand-Finished Tasmanian Blackwood Frame in Art Glass (AR70)

Supplicant (2016)

By Michael Armstrong

Graphite on Paper

Premium Hand-Finished Tasmanian Blackwood Frame

Art Glass (AR70)

Shadows of Yearning (2019)

By Michael Armstrong

Museum-Grade Giclée Print 

Unframed

Or

Premium Hand-Finished Tasmanian Blackwood Frame in Art Glass (AR70)

Tensions Breath (2020)

By Michael Armstrong

Graphite on Paper

Watercolour

Premium Hand-Finished Tasmanian Blackwood Frame

Art Glass (AR70)

Sway (2018)

By Michael Armstrong

Museum-Grade Giclée Print 

Unframed

Or

Premium Hand-Finished Tasmanian Blackwood Frame in Art Glass (AR70)

Observers of Being (2020)

Oil on Linen

900x1200

Finalist, Napier Waller Art Prize 2020

Balanced (2025)

Oil on Board

1200x1400

SOLD

Sculpture

Tara

Tara (2025)

by Michael Armstrong

Bronze with hand-painted patina

Hand-finished Victorian Ash Plinth

Rosie (2025)

by Michael Armstrong

Bronze with hand-painted patina

Hand-finished Victorian Ash Plinth

Bene (2025)

by Michael Armstrong

Bronze with hand-painted patina

Hand-finished Victorian Ash Plinth

Natal (2016)

by Michael Armstrong

Bronze

45 x 25 x 35

Finalist Tom Bass Figurative Art Prize 2020

Contemplation (2016)

by Michael Armstrong

Bronze 

Hand-finished Victorian Ash

An exploration of lyrical form and an intentional pause. Cast in a single bronze, this one-of-a-kind piece sets a tone of rigidity and deep inner thought as hard and soft textures meet.

The Toll (2016) by Michael Armstrong

Resin, Patina

Hand-finished Red Gum

Defined by expressive gestures, The Toll represents authentic emotion. The suggestion of staining reflects the impact of the external world and the struggle for individual expression. Detailed brushwork aligns with experience, materiality of paint equates to stagnation, inertia and destruction.

The Toll (2016) by Michael Armstrong
Resin
Hand-painted patina
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Michael Armstrong

G06/253 Northbourne Ave, Lyneham ACT 2602

© MICHAEL ARMSTRONG